Mini-trip #2: Oigawa Railway

I took the prettiest train ride of my entire life.

This is the second piece in my series of blogposts about my handful of recent1OK, not really recent now, it was back in December of last year, but I’m behind here!, short, 2–3 day trips. While the month prior I had very spontaneously headed down to Kyushu, this weekend’s target was just one prefecture over, to Shizuoka, and things couldn’t be quiiite as last-minute this time. I had been wanting to ride the Oigawa Railway’s two collinear lines for a while – the Ikawa Line in particular is one of Japan’s only forest railways and the only cog railway in the country, too – and I’d figured that when the fall2OK, again, not really fall, but December is unfortunately now when stupidly-hot Japan finally cools down and has the leaves change color… leaves were changing colors would be a perfect time to do it. However, the section connecting the two lines was washed away in a storm in 2022 and hasn’t been operating since. Taking the replacement bus service operated by the local town is a bit of a hassle, takes more time, and involves a lot of looking at Japanese-style timetables to figure out exactly which train to catch and when, plus securing a place to stay somewhere along the line in order to have enough time to go down and back in the daylight. Luckily I had some time to plan the week before, and there was a place that let me make a booking just a couple days ahead of time!

At the end of two eventful days, I had the absolute most magical, wonderful time exploring and staying in the little tea-rich town of Kawane, specifically the district Nukuri, filled with a heartwarming, inspiring – and unexpected – community of artists and farmers, against backdrop of an unbelievably magnificent train station and some of the prettiest views I’ve seen in the country, across bridges and through forests while traversing the course of the Oi River.

I started out by heading from my house in Nagoya down past Toyohashi and Hamamatsu to Kanaya Station, in the city of Shimada, Shizuoka Prefecture. Here I snagged their couple eki-stamps – showing the railway’s partnership with two other similar ones overseas, the Alishan Forest Railway in Taiwan and Brienz Rothorn Railway in Switzerland – and then walked to the much larger Shin-Kanaya Station 20 minutes away. This is where the steam locomotives, or “SL” trains, begin their operation, and I figured it’d be cool to ride my first one! I bought a limited express ticket in the gift shop-cum-ticket office and rode as far as the line goes (with the current closure) to Kawaneonsen-Sasamado Station. It was a very cool experience, rattling around in a super old carriage with metal fans on the ceiling and an engine powered by coal! I felt like I was in the 1800s or something. Here’s all my photos from the first day.

This is literally the most stereotypical old-school train one could possibly imagine.

Scooping coal into the engine! Stove? Burner? Whatever, I don’t know what that’s called, I’m not that type of train nerd. I like the travel, the sociology and equity aspects, visual communication design, spatial planning and systems engineering… pretty much everything except the machines, really, lol.

So much machinery. While I like analog components and abstractly how things work, I am fine with things like this being a pure black box to me.

By the way, this city had a carillon too. Which I learned about recently. And now I’ve been seeing everywhere…

Interior of the SL train. The first carriage was busy but this one was almost empty the whole ride.

Stopping at Ikawa Station to put more water in the locomotive (or something like that).

View out the window, with smoke blowing past.

Someone was selling black “SL”-themed ice cream on the arrival platform. Thaaaat’s capitalism, baby.

Departing back toward the beginning of the line. A classic choo-choo at the end!

This little (closed) Ghibli-esque cottage/cafe was right by the final stop.

Walked for a bit to get to a michi-no-eki roadside station where they had this public foot bath.

The Oi River was looking a little dry from right here. It gets a lot better (understatement of the month) as it runs further into the mountains.

Walking up the side of the road since there’s no way to cross the river without going about 3 km to the south. (I could have just gotten off earlier, but this was more fun.)

Trekked to a very out-of-the-way soba shop before crossing the river to get to where I was actually staying.

Inner courtyard. I was the only person there, as you might imagine.

Inside of the shop. It took them a while to come out of the back and notice I was there to greet me, lol.

View from my seat. Heated tatami!

Very traditional Japanese decor.

Lunch! It was good. I tried miso dengaku, a locally famous food named after this old Japanese tradition of the same name, because the dance involved wearing a white hakama and standing on a pole, which apparently these skewers of konnyaku resemble. I didn’t realize it was konnyaku, though… so as a non-fan of jelly-like stuff, I didn’t eat much of it.

I asked the owner how long the place had been open and she pointed to this handy, pre-prepared sign which was already taped to a table. Presumably others had asked this question too…

Pinecone cow?

Found this abandoned shrine in the nearby forest.

Walking toward the river crossing. There were tea fields as far as the eyes can see here. The fans are to constantly blow air on the tea leaves to prevent frost from forming which would ruin the tea!

Another torii I encountered while walking up to the top of a hill that overlooks the village.

A simplistic tobidashi bouya.

Found a spot for the foamers.

Walking the very hilly route to Nukuri, the former village (now officially combined with the town… which was later combined into a larger town) where the only reasonably-priced accommodation existed (and one of the only ones to exist period).

It was DARK. There was literally, like, nothing here. A little spooky, mostly fun.

Crossing a bridge over a valley.

Vending machine at night.

The front door of my guesthouse. The owners came across the road to meet me and show me around! It was a spacious place and I was the only one staying in the whole house.

The people who ran the guesthouse help organize & host an art festival known as UNMANNED, named after the state of their local train station. All but abandoned by the railway, with a now-empty, unheated station building and nothing more, the town has since filled it back up and built an incredible community around it, gathering there every day to cook food and hang out and wave to passersby. Here was the poster from the 2018 iteration of the festival hanging in the house.

Named after one of the older women in the village, Nukuri Station has been semi-transformed into a place known as Grandma Sayo’s Rest Stop. Their Facebook page posts near-daily updates about what the community is cooking and eating that day at the station along with photos. The UNMANNED festival has been running for a few years and art exhibits are all around the village, in people’s yards, between the rows of tea, and in the station building. Here’s a piece that was in my guesthouse.

No trash separation???? This disrupts the wa. The Japanese government is having a full-on meltdown right now.

There was a 3D topographic recreation of the town in the entryway to the house.

This was the family portrait of the people who ran my guesthouse. I love this?

Hand-drawn maps! My fave!

I was looking around the house since I had it to myself and stumbled upon this… figure…… looming in a corner… Apparently he’s a Buddhist monk and based on the tale of a local protective guardian deity. I read about the project online and learned that he “wandered around town” and sat in people’s houses for a week, and then they asked how his presence made people feel and how he affected their art. This was for the 2021 festival, so now he is at home. And sits here. Looming.

The following morning, I woke up bright and early, like 7 a.m., so I could catch the bus in time to the next operational part of the railway. The rest of the photos and videos are from day two!

When I stepped out of the door, my first time seeing things in the light, I was greeted by this giant crab sculpture sitting in the tea bushes.

The unmanned Nukuri Station building, now revitalized as the eatery & neighborhood hangout as mentioned above.

Along the hilly 40 minute walk to Ieyama Station.

oh god i love warking

The replacement bus that connects Ieyama to Senzu Station in Kawanehon arrived.

Wow! Tiny trains!? And so angular.

The inside really was quite cramped and narrow.

The company runs trains that look like the characters from the anglo-fascist series Thomas the Tank Engine. Lots of little kids come to ride them as a big tourist pull for the railway. They are scary.

Another passenger (who also likes iDOLM@STER U149 and started talking to me because of the pin on my bag, based) showed me pics he and his friend took the previous night. HORRIFYING.

Forests besides rivers lined with fall leaves. Such a nice atmosphere!

The train stops at Abt Ichishiro Station where it becomes a cog/rack railway! The track in the middle is for a gear to hook into as it gets pushed up a steep hill.

Locomotive connecting from behind. More info on the Abt rack system is on the Oigawa Railway website here.

The rack rail runs up a steep gradient until the next station, right outside Nagashima Dam.

Heading across the Oi River and Lake Sesso.

The natural light was just flooding in from all sides. So stunning.

The absolute prettiest train station platform ever, on an island in the middle of the river. (OK, not technically an island, but it looks like one and sticks out into a horseshoe bend of the river and isn’t accessible except via this platform so it functions like one too.)

The station sign is using both kunrei-shiki and the old-style circumflex accent instead of macrons to represent long vowels! How fun!

One side of the track has a pedestrian walkway – apparently called the “Rainbow Bridge” – so you can cross over to land (and not just be stuck on the “island”).

Hiked about ten minutes to the nearby lookout on the road that winds up through the nearby mountains and provides a pretty amazing vantage point of Okuōikojō Station.

Was a bit cloudy when I first got there – there were even raindrops hanging in the air due to the altitude – but the sun came out shortly after. Made the colors look totally different!

I waited a while (paying attention to the train schedules, of course) to watch a train crossing the bridge and pulling into the station. Also sorry if this doesn’t buffer, WordPress is finicky, refreshing seems to fix it for me lol. Professional software engineering advice here, folks.

So picturesque *_*

Walked around to a number of different lookouts and it was, as expected, pretty from every angle.

Steep stairs back down to the station.

Amazing straight-on view of the track from the staircase too!

The little lodge at the station on the island which was unexpectedly closed. I should have brought some lunch or more snacks…

Welcome to the Angel Power Spot. Also oh my god look at the cog rail mascots with gear teeth for hair at the bottom.

View from the lodge.

A 180° from the above photo, the lodge as seen from the platform.

Train headed in the opposite direction, which passed when I was walking back up the stairs for a second time…

…which I did because I decided to just walk to the next station since there was some potential food on the way and I had time until the next train. There were some waterfalls on the way.

Suddenly a Chinese tour group appeared??? I ran into them later and I think they were just staying at one of the nearby onsen.

Along the Oi River, heading toward Sessokyō Onsen Station.

SO MANY COLORS

Someone’s little working area, I guess. Or maybe a shop? Either way it was cute.

The only real place to get food. I had time for some noodles. There were a few other people there, including another foreigner who was a former resident and had returned on vacation!

Got some soba. Udon was sold out. They let me get extra shiso (beefsteak plant leaf), my favorite.

Talked to a guy in the noodle shop who told me he collected dam cards. I of course showed him my IC card collection in return. He had just snagged this one from the dam we passed an hour earlier!

I was referencing this timetable quite a lot… paper versions are a lot more handy. :)

i yearn for the mines

Definitely a forest railway.

Being able to open the windows – especially along the sections with curved track where you can really see what’s coming ahead – was super nice!

Oh, hey, another dam.

Relaxed for a bit here while waiting for the train back, after getting out at the final station.

The station building at the terminus of the line was unheated, so they brought out kerosene heaters to keep people warm in the lobby area.

The staffed ticket counter sold handmade bookmarks decorated with old ticket stubs + photos taken along the rail line for only ¥100. :’) I bought one, of course!

Check out the old equipment! The teal corded phone on the right was used by the conductor as they made announcements, hooked up to a speaker system in the cars.

Driver’s cab, as seen through the window. I gotta say, buttons and levers like this are enticing.

On our way back, heading past the island again.

Looking back at Okuōikojō Station from the window.

The outside light getting dimmer while the glow from inside the train began to feel brighter was really nice.

Arrived back at Ikawa Station, the start of the Ikawa Line. Lots of LED lights were up for Christmas!

Some people from the local community were selling small foodstuffs in the station. I grabbed a musubi (not the typical word you hear used to refer to onigiri in Japanese, which was a nice throwback to Hawaiʻi!) There was a guy selling grilled ayu (sweetfish) outside but he was sold out :(

December = the classic time for oden!

Outside of Ikawa Station while waiting for the connecting bus back. I loved the look of the lit up, hollowed out bamboo with holes in it.

My first time seeing real 鋏こん kyokon!! These are punched made in train tickets from old-school ticket punches. Every station typically had a unique shape. I learned about these a few months prior (and added it to everyone’s frequently used Japanese–English electronic dictionary/corpus too).

The aforementioned, old-fashioned 改札鋏 kaisatsu-basami… ticket punches (lit. ‘ticket inspection scissors’)! Used waaay back before automatic ticket gates existed. Also my first time seeing one for real.

And finally, I rode the local train back to Kanaya Station. Based on the つり革 tsurikawa (hanging hand strap), it looks like they had procured their rolling stock from Tokyu in Tokyo! (Wikipedia actually tells me they’ve purchased old trains from companies all over the country.)

And then it was just riding local trains home again for what was quite a late night after what was quite a wonderful day. I tried to sleep a lot, considering I was leaving to travel almost 1,100 km only six days later! More on that soon.

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Mini-trip #1: Saga, Kumamoto, Hiroshima

Oh my god ahhhh I’m leaving tomorrow for a two-week trip with my mom, and then a few days later it’s the opening of the World Expo (commemorative Myaku-Myaku ICOCA here I come!) and then a week after that I leave on my Golden Week trip. ALREADY. I feel like I just wrote about GW last year. It’s the second most recent post on this blog! And I want to write about my upcoming big GW trip year, of course, but have so much to write about that I’ve done in the recent past too that I’ve been putting off. I’m so behind. Ahhhhhhh.

I also received two very kind messages recently which motivated me to write this post in a very spur-of-the-moment fashion all in one go:

“haiii i stumbled across your blog while i was bored at work and i literally love reading them (especially the juzo itami one) can u please write more so i wont be bored at work. 🙏 thank you so much. you are awesome.”

“Just wanted to tell you and ive been reading your blog for the last hr and half and I’m and not only nostalgic (seishunjuhachi Kippu proud traveler) and learning (didn’t know ‘Kokeshi’ is actually Sendai Ben and I lived near the kokeshi museum in Kuroishi) but laughing my butt off […] I have a special love and respect for writers. I hope you continue.”

Thanks, guys!

OK, so for my New Year’s holiday three months back, I went to Hokkaido to bask in the snow. It was wonderful and that will be a long post at some point hopefully not too far in the future from now with lots of pictures as I make my way through all my trips chronologically. For now, this shorter post is focused on the first of a bunch of mini-trips I did before then.

It’s November 23, 2024. I had recently tried, and succeeded (I thought) in convincing some fellow-foreigner acquaintances from work to drive (the horror) to Shirakawago. They like cars and were down. We had plans in place already, but then one of them, the same morning, was afraid “there might be snow” (there wasn’t) so he pulls out. The other one suddenly “has to be back by afternoon” to “deliver some documents” and didn’t realize how far away it was despite living here since he was a teenager. OK. This is very typical, frankly. So the plan to go to Gifu is cancelled. At the exact same time, my Japanese IC card collecting friend Sunagawa-san, who lives in Kyushu, happens to be down in Kumamoto to see some plane that he’s obsessed with that looks like a dolphin, and confirms to me – I had asked prior – that the old Kumamon no IC Card design is still available in some vending machines, which I had learned about after having spotted it in a photo on Twitter few days back. And not only that, but the JR Kyushu Twitter account had posted that somehow the Sagan Tosu SUGOCA (commemorative design for the local professional soccer team who according to my undergrad friend are very mediocre) is also still available at one single station, five months after its initial release… with limited, decreasing stock. Who knows how long they’ll both still be around.

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My “Seishun 18 Juu-Pachi” Koshinetsu–Tohoku Obon adventure

OK, I’m a convert. Sitting on trains for up to eight hours a day, mostly as a way to escape the up-to-40°C / 104°F temperatures outside and sit inside an air-conditioned vehicle? Getting to pay a flat rate for unlimited rides on JR local lines across the country? Finally getting to travel back up to Tohoku (north-eastern Japan) for the first time in seven years? Absolutely yes, sign me up. I was a little worried it might be too much for me going in, too much sitting, or too much traveling and transit-ing, but in reality, I can’t wait to do it again.

Every summer (actually three times throughout the year, for a fixed amount of time only) all the Japan Railways Group companies release the Seishun 18 Kippu, or the “Youth 18 Ticket”, a discount railway pass (intended for poor students, hence the name, although with no age limit or rider restrictions) which allows users to ride an unlimited number of JR trains and lines across the country for five non-consecutive days1Well… more on this at the end. for a pretty affordable price. The catch is that it only gets you access to conventional lines, which are of course slow, stopping at nearly every single station – no high-speed limited expresses or shinkansen, not even if you pay the express fare on top. But this ticket is famous in Japan, well-known and well-loved since the summer of 1982 when it first went on sale. As a public transit aficionado, it felt like a rite of passage for me to at least use it once during my time living in this country, right?

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Golden Week!

At the end of April and beginning of May, I took a big Golden Week trip westward and down through Kyushu. I have multiple friends who’ve visited or who have extended family in Fukuoka – they’ve all had nothing but great things to say about it, and likewise I’ve wanted to visit Hiroshima on my own as well. I had a week off for the holidays, so with this, plus my general enjoyment of traveling and seeing new places… and motivated by the fact that Kyushu is unequivocally the best place in Japan to get tons and tons of IC cards… I made a spreadsheet to plan and figure out how to handle all of these magnetic paper tickets:

Most (not all) of my tickets. Not as complicated as it might look. I promise!

This was my first time making (heavy) use of both stopovers (途中下車 tochuu gesha) and round-trip discounts (往復割引 oufuku waribiki), as I was traveling along a single, straight route via shinkansen but wanted to stop off at various places along the way.

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The (R)ides of March

It’s been a while! I frankly got a little burnt out on writing (and still am, honestly) but finally got some motivation to write about my trip last month. March 16 was a big day for public transport in Japan: the Hokuriku Shinkansen got extended from Kanazawa to Tsuruga, the Thunderbird and Shirasagi limited express trains had their routes shortened as a result, JR West gave up ownership of the local Hokuriku Main Line over this portion of the track, and timetables & fares for public and private trains across the country were revised. The third of these reasons was the impetus for my trip, though – with the new Hapi-Line Fukui third-sector railway company beginning operations, they also released a commemorative ICOCA!

My big transit-focused hobby is collecting IC cards (I have 54, as of this post, all obtained myself, and all via public transport, in my five-ish months since moving to Japan) and a trip up to the Hokuriku region was a good way to snag a lot more, explore a part of the country I hadn’t been to much, and get a fun weekend vacation out of it.

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Koki Mitani’s Odessa

“Three characters. Two languages. One truth.” This is the idea behind Odessa (オデッサ), Koki Mitani’s first new play in three and a half years, set in 1999 in the American town of Odessa, Texas. A Japanese tourist is detained on suspicion of murder. The detective, while of Japanese descent, only speaks English. And so an interpreter, a Japanese student studying abroad, is brought in to translate. But as the tagline tells us, “現実 (genjitsu, ‘truth’) is stranger than TRUTH.” Confused? Hell yeah.

Kōki Mitani is pretty much the theater world’s version of Juzo Itami: a sensationally multitalented artist who writes and directs all of his own productions, frequently re-casts the same groups of actors in everything he makes, working to create intertextual comedies that are often inspired by American sensibilities… He’s even, fittingly, the recipient of last year’s Juzo Itami Award, which honored his achievement and outstanding talent in many of the same areas Itami worked. And while, also like Itami, he’s (for some cruel and baffling reason) practically unheard of in the West, writer Nobuko Tanaka starts off her 2012 article and interview in the Japan Times about his domestic popularity with a simple fact: “Koki Mitani is far and away the nation’s best-known dramatist.”

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RRR × TAKA“R”AZUKA ~√Bheem~

If you pay attention to movies at all, you’ve probably heard of – and should have seen – RRR, the incredible, ridiculous, and insanely over-the-top 2022 historical action-drama epic about colonialism, friendship, and loyalty. The film was directed and co-written by S.S. Rajamouli in the most expensive Indian film production to-date. Rajamouli previously made waves on the internet for this preposterous scene in his previous film, Baahubali 2: The Conclusion, and he’s probably the world’s most well-known director in Tollywood (not Bollywood, as his films are in Telugu, not Hindi). Japan loves Indian films, too – a recent ad at my local cinema taught me the word マサラ上映 masara jouei, or “masala screening”… which is apparently the Japanese term for a participatory/singalong-style showing of an Indian film where moviegoers are invited to recite dialogue (or, well, the subtitled dialogue) in real-time, dress up in costume, and emotively react to scenes. (This seems like the antithesis of most Japanese movie theater experiences I’ve had so far, so honestly I’d be interested in going…)

I think RRR really began to take off in Japan once its iconic “Naatu Naatu” scene & song won Best Original Song at the Oscars and Golden Globes last year, causing its associated dance and awards show performance to finally spread eastward on social media like wildfire. So what was this country to do with an outrageously over-the-top foreign movie that depicts one of the greatest bromances ever? Well, have the Takarazuka Revue adapt it into an even more over-the-top musical with super gay undertones, of course.

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The Itami Juzo Museum

Ever since I began planning my move to Japan in mid-2023, there was one place I promised myself I’d go at the first possible opportunity: the Itami Juzo Museum (伊丹十三記念館 / Itami Juzo Kinenkan) in Matsuyama, Ehime Prefecture, on the island of Shikoku. Shikoku is the smallest and least-populated of Japan’s four main islands, and I’d never been off Honshu, which added to my excitement. So with a full week off work for the New Year’s holidays, I made the trip.

Juzo Itami is my favorite film director in the world, a true visionary and master of subtle social satire and life-affirming comedy who dared to poke fun at and push back against his own rule-bound culture’s customs (“I make movies to get the Japanese to look in the mirror”, he said in 1996). He made his directorial debut at age 51 after spending decades as an actor and essayist… and editing a 1980s psychoanalytic magazine, designing commercials, illustrating print ads, translating Western cookbooks, living in London and becoming fluent in English and French… After writing and releasing ten feature films, he was murdered by the yakuza in 1997 for criticizing them and mocking their practices, remaining unafraid after a prior violent attack and continuing to investigate their ties to a religious cult. I can only dream of what the film and literary landscape today could have looked like today if he had been able to keep making movies into the 21st century.

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Tomcat’s Big Adventure

I got to see a very, very rare Japanese film last night: Tomcat’s Big Adventure (ちびねこトムの大冒険 地球を救え!なかまたち / Chibineko Tom no Daibouken: Chikyuu o Sukue! Nakama-tachi)

Background

Tomcat’s Big Adventure was to be the debut feature of Ryūtarō Nakamura, best known as the director of serial experiments lain (1998) and Kino’s Journey (2003). Five years in the making, it was an anime adaptation of a children’s book by Masumi Iino and Yumiko Imai, and featured incredible talent from the likes of Toshiyuki Inoue and Hiroyuki Okiura (key animation), Manabu Ōhashi (a.k.a. Mao Lamdo, animation direction & character design), Kenji Kawai (music), Hiromasa Ogura (art direction & background art), and Shigeharu Shiba (audio direction). Despite production being temporarily halted due to a cost overrun – underscored by the burst of the Japanese economic bubbleTomcat’s was completed in 1992. But when the movie’s production/distribution company went bankrupt, plans to release it were shelved indefinitely; its theatrical run didn’t ever happen, with its only screenings being in small, local venues plus a handful of showings on regional TV. Even animators in the industry often hadn’t heard of its existence, and it began to be called a “phantom” or “fabled” (幻 maboroshi) work – as this translator puts it, “something so fantastic, rare and mysterious that its very existence has come into question”.

Nearly 20 years later, an individual named Mitsuhiro Akashi learned of the film through a friend of his who held the copyright, having inherited the rights from her late father who had invested in the work. Akashi and the friend began promoting the film online which reinvigorated fan interest, and resulted in a screening event hosted by Manabu Ōhashi in late 2012. This (presumably) caught the attention of Tollywood – a small, independent/arthouse cinema in Shimokitazawa, Tokyo (where, incidentally, I got to see the great 1987 film Gondola back in 2017) – and they were able to bring Tomcat’s to their theatre at the end of 2014 for a one-month-only engagement (which was then extended another month due to demand).

Akashi also ran a crowdfunding campaign around this time to produce a 35 mm digital remaster of the film, but the Blu-Ray’s distribution was limited to the 225-ish supporters, and it has never appeared online (legally or illegally). The digital version has been shown briefly in a couple venues in Japan (such as at Tollywood again in 2019), once in Switzerland, and once in France, but it’s never been available to publicly purchase or watch at home.

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Yotsuba&! Exhibition of Original Manga Drawings

Hi! I decided to make this blog as an old-school-internet-style way to show off some photos I took during my trip this past weekend to the Special Exhibition “YOTSUBA&! Exhibition of Original Manga Drawings” (よつばと!原画展 / Yotsuba to! Gengaten) at the Tokiwaso Manga Museum in Toshima-ku, Tokyo. I figured some other people online would want an English-language trip report, so here we go! Below are 85 pictures in full resolution. (By the way, if you use these somewhere, please do let me know, and give credit by linking back here – it’d be appreciated.)

The entrance in Tokiwaso Park

Yaaaay, made it!

Quick backstory: I moved to Nagoya, Japan last month and took the Tōkaidō Shinkansen up to Tokyo (only a 1.5 hour ride on the Nozomi train, at nearly 300 km/h!) this past weekend in order to see this exhibition of Kiyohiko Azuma’s work before it closed at the end of the month. I was (and still am) elated that I was able to move to Japan in time and go, just before it wrapped up, especially as I have commitments the following two weekends this month! I went right when it opened at 10 a.m.

The Yotsuba&! exhibition itself is housed in a museum that’s a masterful reproduction of Tokiwa-sō, an apartment building that was inhabited by numerous famous manga artists in the mid-20th century, including Osamu Tezuka (Astro Boy, Dororo), Fujiko F. Fujio & Fujiko Fujio Ⓐ (Doraemon), Shotaro Ishinomori (Super Sentai, Kamen Rider), and Fujio Akatsuka (Osomatsu-kun). The upstairs showcases the original living quarters, and the downstairs floor hosts revolving exhibitions like this one.

Danbo is in one of the rooms! This is a faithful recreation of Tokiwa-sō in the 1950s and 60s, surely!

A big Yotsuba greets you at the end of the hallway, next to the small elevator to head downstairs. Hi!

Heading downstairs and going around the corner, you turn left and find yourself in the main room. But we’ll talk about what’s there later! For now, we’ll turn left again and walk through these sliding doors, which takes us into the exhibition space.

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